Suit Against Kanye West Dismissed On "De Minimis" Grounds

Steward v. West, No. CV 13-02449 (C.D. Cal. Aug. 14, 2014).

In this copyright infringement action against Kanye West et al concerning a sample, the Court granted defendants' Rule 12(c) motion for judgment on the pleadings.  On the motion, the Court considered the sound recordings and held that, while plaintiff's sound recordings were sufficiently original to be protectable, defendants' copying was de minimis.  "The result of these distortions and the short length of the samples is that the average audience would not recognize plaintiffs’ Song in any of Defendants’ songs without actively searching for it. In the Ninth Circuit, digital sampling is de minimis when 'the average audience would not recognize the appropriation.'"  Accordingly, the copyright infringement (and dependent contributory liability claims) were dismissed.

Transfer Denied In Sirius Class Action Over Pre-72 Recordings

Flo & Eddie, Inc. v. Sirius XM Radio Inc., No. CV 13-5693 PSG (C.D. Cal. Dec. 3, 2013).

Plaintiff filed this putative class action in state court alleging that defendant Sirius XM had unlawfully exploited certain audio recordings made before February 15, 1972 by duplicating and broadcasting those audio recordings through its satellite and internet radio service.  Sirius XM removed this case to federal court.  Before the Court was Sirius XM's motion to transfer venue to the Southern District of New York, pursuant to 28 U.S.C. § 1404(a).  The Court denied the motion.

In analyzing the motion, the court considered multiple factors -- some neutral, some favoring transfer, and some against transfer.  The factors were: Jurisdiction and Venue in the Southern District of New York; Convenience of the Parties and Party Witnesses; Convenience of Third Party Witnesses and the Availability of Compulsory Process; Relevant Agreements; Familiarity with the Governing Law; Plaintiff’s Choice of Forum; The Parties’ Contacts with the Chosen Forum; Contacts Relating to Plaintiff’s Causes of Action in the Chosen Forum; Differences in the Cost of Litigation; Access to Sources of Proof; Relevant Policy of the Forum State; Relative Court Congestion; Local Interest in Having Localized Controversies Decided at Home; Unfairness of Burdening Citizens in an Unrelated Forum; and The Interest of Justice. After considering these factors, the Court concluded that transfer was not warranted.  "Many of the transfer factors are neutral. As to the factors that carry weight one way or the other, several factors related to efficiency and convenience weigh toward transfer.  However, California’s interest in having a novel question of state law decided at home, as well as the slight weight given to Plaintiff’s choice of forum, weighs against transfer."

Vogue Sample Suit Against Madonna Survives Dismissal

VMG Salsoul LLC v. Ciccone, No. 2:12-cv-5967 (C.D. Cal. filed 1/29/13) [Doc. 29].

Defendant's motion to dismiss under Rule 12(b)(6) -- on the basis of de minimis copying and statute of limitations -- denied.

The factual allegations are: Plaintiff owns the composition and sound recording copyrights of "Love Break", released in or about 1977.  Defendants Madonna and Pettibone are “credited with creating the
sound recording” of the song “Vogue,” a “tremendously” successful single that has been on several “top
ten” lists of the best dance songs of the 1990s and was performed by Madonna at the Super Bowl halftime
show on February 5, 2012.  Plaintiff alleges that Defendant “sampled” “numerous but intentionally hidden” portions of Love Break into Vogue—specifically, that the horn and strings in Vogue are “intentionally sampled from Love Break throughout.”  It further alleges that the sampled portions of Love Break were “intentionally hidden” throughout Vogue, “so as to avoid detection.”

In addressing the Defendants' argument that any copying was de minimis, the Court found that such argument was better suited for summary judgment and should not be decided on a motion to dismiss.  Similarly, on the statute of limitations argument, the Court found that evidence was required to determine whether the plaintiff was unaware of the infringement, and that lack of knowledge was reasonable under the circumstances.

Sex Pistols Photo Infringed By Artist

Morris v. Young, No. 12-cv-00687 (C.D. Cal. filed 1/28/2013) [Doc. 29].

Plaintiff sued defendant seeking damages for copyright infringement and an injunction enjoining defendant from further infringement of Plaintiff's photograph of the musicians Sid Vicious and Johnny Rotten of the punk rock bank, the Sex Pistols.  Sometime in the mid-2000s, defendant created a series of works based on images of the Sex Pistols that he found on the Internet.  None of the images defendant used in this series contained copyright notices, and defendant therefore believed they were in the public domain.  Among the unmarked images defendant found on the Internet was the subject photograph.  Defendant used the image of the Subject Photograph he found on the Internet to create several works that are the subject of this case.  Prior to the initiation of this lawsuit, Young Defendant earned a total of $8,940 from sales of the accused works.

First, the Court found that plaintiff had established ownership of a valid copyright in the photograph.  Next, the Court focused on actionable copying.  Plaintiff can establish copying either by direct evidence of copying or by showing that defendant (1) had access to the work and (2) that the two works are substantially similar in idea and expression. It was undisputed that defendant found an image of the Subject Photograph on the Internet and copied it to make the Accused Works. "Accordingly, the Court need not rely on evidence of access and substantial similarity to determine whether a copying took place because the undisputed evidence shows that Young copied the Subject Photograph."

Next, the Court underwent a "fair use" analysis.  First, the commercial nature of the use weighed against a finding of fair use.  Additionally, the Court found that defendant's work added only marginal artistic innovation to the photograph to change the aesthetic expression of the work.  Moreover, it did not appear that defendant intended any distinct purpose or message when creating the works.  The use was, thus, not transformative.  Second, the court found that the nature of the copyrighted work was creative and thus weighed against a finding of fair use.  Third, the Court considered whether the amount of the work used was reasonable in relation to the purpose of the copying; defendant used most or all of the subject photograph to create his works and this weighed against fair use.  Finally, the Court considered the effect of the use on the potential market or value of the copyrighted work.

Accordingly, the court granted Plaintiff summary judgment on one of the works.  However, the Court found questions of fact on the fair use defense for another of the works.

McClain (Executors of Estate of Michael J. Jackson) v. Mann, No. 2:11-cv-00584 (C.D. Cal. filed Aug. 10, 2012) [Doc. 132].


Plaintiffs allege that Defendants are commercially exploiting without authorization intellectual property created by the late Michael Jackson (“Jackson”) and now owned by Plaintiffs.  Defendants argue, to the contrary, that they obtained the rights to use this intellectual property at a bankruptcy sale involving members of Jackson’s family. Defendants also argue that some of Plaintiffs’ claims are barred by res judicata, and that Plaintiffs have not met their summary judgment burden on other claims.


The court finds that none of these rights were transferred through the bankruptcy sale.  "[N]one of the facts surrounding the sale of Debtors’ personal property from a storage facility indicate a transfer of any intellectual property rights".


The court grants summary judgment to Plaintiffs as to each of Defendants’ affirmative defenses. The court also grants summary judgment to Plaintiffs on their claims for: 1) copyright infringement as to the “This Is It” key art, “Destiny” song, and “Thriller” material; 2) false designation of origin for Defendants’ use of Jackson’s likeness performing the “Smooth Criminal Lean”; 3) misappropriation of likeness for Defendants’ exploitation of this and other images of Jackson; 4) unfair competition based on this alleged unauthorized use; 5) cybersquatting and cyber piracy for Defendants’ exploitation of Jackson’s name in their domain names;
6) an accounting to reveal Defendants’ profits from the unauthorized use; 7) a permanent injunction against the unauthorized use; and 8) declaratory relief as to ownership of the intellectual property at issue.

Black Keys Sue Over Song In Commercials

Daniel Auerbach et al. v. The Home Depot, Inc., No. 2:12-cv-05386 (C.D. Cal. filed 06/21/12) [Doc.1]

The Black Keys sued the Home Depot, and in a related action Pizza Hut, for the alleged unauthorized use of the single "Lonely Boy" (released 2011) in commercials.  The sole cause of action is for copyright infringement.

Standing Still Lacking Under 1909 Act In "Big Pimpin'" Case

Nafal v. Jay-Z, et al, 11 cv 06238 (C.D. Cal. Mar 2, 2012).

Plaintiff argued that because was the exclusive license of a song sampled in the Jay-Z song "Big Pimpin'", he had standing to sue Defendants for infringement. The court held that Plaintiff's standing had to be evaluated under the 1909 Copyright Act (due to the copyright date of the sampled song). Even if Plaintiff were deemed a co-exclusive licensee, the 1909 Act required Plaintiff to join the author's heirs in the action, who were the copyright owners. He did not do so, and accordingly, lacked standing.

Black Eyed Peas "Boom" Not "Substantially Similar"

Batts, et al. v. Adams, et al., No. 10-cv-8123 (C.D. Cal. filed Oct. 21, 2011) [Doc. 251].

Plaintiffs allege that the Black Eyed Peas' Grammy-nominated song "Boom Boom Pow" infringed Plaintiffs' copyright in the song "Boom Dynamite." On defendants' motion for summary judgment, the court employed the "extrinsic test" to determine substantial similarity of the two songs. The Court held that the allegedly protectable elements in Plaintiffs' song (the hooks, and use of the phrase "I got that" followed by the repeated used of the word "boom") were not substantially similar to the elements of the Black Eyed Peas song. Also, the Court held that the non-protectable elements of Plaintiffs' song were not entitled to copyright protection. Accordingly, the Court concluded that as a matter of law the defendants were entitled to summary judgment.

Don Henley Complaint Against Politician

Don Henley v. Devore, No. 09 Cv. 0481-JVS (C.D. Cal. complaint filed 4/17/2009)


"This action arises out of the wholesale appropriation and exploitation by Defendants DeVore and Hart of the well-known and valuable song "The Boys of Summer," written by Plaintiffs Don Henley and Mike CampbelL. Defendants' infringing conduct is unauthorized, brazenly wilful, and pursued solely in order to promote DeVore and Hart's personal and professional agenda. Openly flouting Henley and Campbell's intellectual property rights, DeVore and Hart copied almost
all of Henley and Campbell's copyrighted musical composition note for note and, altering the lyrics to suit their own purpose and using a recorded performance of the work to mimic the original Henley recording, produced and distributed a video featuring Henley and Campbell's song (the "Boys of Summer Video"). DeVore and Hart's avowed aim in doingthis was to use the Boys of Summer Video to promote DeVore's campaign for th~ Republican nomination for the U.S. Senate in 2010.

Resale of Promo CDs

EFF beats UMG in Augusto case; resale of promo CD's on eBay is NOT a copyright infringement

The key to the decision is the First Sale Doctrine: because the label transferred title of the promo CDs to music industry insiders, those insiders were owners of the CDs at the time they sold them.

[UMG Recordings v. Augusto, No. 07-cv-03106-SJO (C.D. Cal. decided June 10, 2008)]

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