Fraudulent DMCA Take-Down Notice May Be Basis For Claim If iTunes Stores Music At Direction Of A User

Distribuidora De Discos Karen, C por A. v. Seijas, No. 13 Civ. 5200 (NRB), 2015 BL 93133 (S.D.N.Y. Mar. 26, 2015).

Denying defendants' motion to dismiss, the Court held that: (1) a misrepresentation claim under the DMCA may be predicated on a technically defective take-down notice; (2) a misrepresentation claim under the DMCA must be predicated on a take-down notice that is not directed towards activity that the DMCA protects; and (3) it was premature to decide whether Apple stores music on iTunes "at the Direction of a User."  Accordingly, a notice sent by Defendants to iTunes stating that certain recordings had not been licensed for distribution can be the subject of a misrepresentation claim under the DMCA even if it did not meet all the statutory requirements for such a notice, but, such a claim could only apply if the notice was “directed at ‘storage at the direction of a user,' ” which might or might not have been true in the instant case.

Here, defendants and plaintiffs disputed who owned certain publishing and sound recording rights.  The artists' counsel sent Apple a take-down notice, saying that “no license has been issued” with respect to the recordings.  Apple then dropped the subject recordings from iTunes, and plaintiffs sued, alleging misrepresentation under the Digital Millennium Copyright Act of 1998, 17 U.S.C. § 512(f).  The DMCA creates a notice-and-takedown procedure for allegedly infringing copies of works posted online, and subsection (f) creates a cause of action for sending fraudulent takedown notices.  Defendants moved to dismiss for failure to state a claim.  The Court found that the communication to Apple “was not so deficient as to fall outside the reach of subsection 512(f).”  But, the remaining issue was whether iTunes falls within the section 512(c) safe-harbor, to wit: "whether Apple stores music on iTunes 'at the direction of a user,' 17 U.S.C. § 512(c) (1)".  The Court found that "the complaint simply does not state enough facts about iTunes for us to say what happens behind the scenes, so we cannot decide at the present stage whether iTunes stores music at the direction of users."  Accordingly, the motion to dismiss was denied.


iTunes Goes DRM-Free on Remaining Majors

Apple reportedly has signed a deal with three more major labels (Sony, Universal and Warner Music) to bring more DRM-free MP3s to iTunes.

As part of the deal, Apple will reportedly be more lax on their strict price fix, breaking MP3s into three tiered pricing: Older catalog tracks,79-cents; newer songs, 99-cents; and hit songs, more.

[Rolling Stone]

iTunes, China, and Censorship

entitled "Songs for The New York Times reports (8/23/08; B8, "Arts, Briefly") that access to Apple's iTunes web site within China was blocked by Chinese Internet providers. Though Beijing authorities have not commented, the move was reportedly sparked by a free compilation album offered by iTunesTibet", which more than 40 Olympic athletes download.

CBS wants Last.fm to be First on Your Dial

CBS is adding on-demand, full-track streaming to its music social-networking site Last.fm. Free on-demands streams will be limited to three times per track, and cannot be downloaded to a portable player (e.g., an iPod).

Forbes notes that this is a "sign of the recording industry's growing interest in free, advertising-supported access to music". Yet, Last.fm plans to ultimately offer users a chance to purchase a monthly subscription allowing them to listen to songs as many times as they want.

Rolling Stone notes that the Last.fm deal with major record labels is heating up "the arms race" between Amazon and Apple iTunes.

More MP3 Choice - Yahoo!

Yahoo! is in preliminary discussions with major recording labels to offer a DRM-free (i.e., without copyright protection software) digital music down-load service. Amazon and iTunes: look out!

It is not yet clear whether Yahoo! will follow an a la carte purchase model, or a free-download/ad-supported model. OTCS opines that an ad-supported model would be a major shift in the digital download market. Given the death of the subscription model, is ad-supported "free" downloading the nail in the a la carte model's coffin? Time will tell.

iTunes, So 5 Minutes Ago

Pepsi announced that it will offer 100 million free downloads from Amazon.com, marking a "change of teams" away from iTunes. The promotion will begin at the Super Bowl next month, and all songs will be in mp3 format (i.e., without DRM).

However, not all the majors are participating due to pricing issues, including UMG. Typically, Amazon pays labels approx. $0.70, but under the promotion record companies will be paid approx. $0.40 per song.

To quote Dave Chappelle, as Rick James "What did the 5 fingers say to [iTunes]? Slap!"

Sony Adds Catalogue to Amazon; Ups Competition with iTunes

Sony BMG became the last of the major labels to begin selling its music in mp3 format on Amazon.com. The deal includes the labels entire catalogue.

The result of the deal is two-fold. First, it increases Amazon.com's competition with Apple iTunes. Second, the music will be sold without digital rights management software, or DRM, nailing another coffin in an on-line music distribution model based on limiting user's experience with the media.

...and again, this is good for the consumer! More choice, more options, more freedom. It now seems inevitable that iTunes will need to lift its DRM software in order to offer consumers a competitive product.

Accross the Pond, EU Takes Bite into Apple

Item 1: The European Union closed its anti-trust investigation into Apple iTunes operation. However, "some copyright issues remain". Notably, the European Commission refused to address other copyright restrictions in place, i.e., DRM.

Item 2: Apple will eliminate its price discrimination across the EU. Users of iTunes in Britain are charged approximately 9 cents more per download than users in other EU nations that use the Euro currency. In the coming months, users across the EU will be charged a uniform "pan-EU" price per download. However, what this means if the record labels fail to get on board and lower their wholesale prices to Apple is yet to be seen? It seems unlikely that the majors will forfeit the huge market iTunes provides by playing hard-ball and not lowering their prices. Similarly, small and indie labels will likely adjust their prices to maintain their access to their product via a mass-distributor like iTunes.

...so what does this mean to Apple? Are they no longer a "Standard Oil"?

Napster Caves; Drops DRM

The Wall Street Journal reports that Napster -- the company once synonymous with illegal on-line file sharing -- has dropped its software which limits the way users can listen to music.

Napster offered a subscription streaming service, which prevented subscribers from downloading a permanent copy of a sound recording to their hard-drive. With the termination of its digital rights management (DRM) program, it appears that Napster will now be an on-line music distributor modeled after traditional brick-and-mortar record stores (e.g., iTunes). In other words, users will be able to purchase their music and take it to-go, available on a whim.

Does this signal the death of subscription-based model of on-line content distribution? OTCS never believed this model would work - users, OTCS believes, prefer paying a la carte, rather than a monthly subscription fee.

Jay-Z To Join...Apple?!

OTCS thanks its friends over at Tilzy.tv for bringing the following to our attention:

Jay-Z is launching a record label with...APPLE. Yes, that Apple, that brings you iPods, iTunes and iCantThinkOfAnythingElse.

News is sure to abound, and OTCS plans to watch this developing story closely.

Meanwhile, what does this mean in Apple computer's settlement with Apple Records (of The Beatles fame) over use of the "apple" trademark for a music distribution company?

Working Class Hero

Capitol Records (EMI) announced that a new John Lennon video album will be released, in collaboration with iTunes, at Starbucks locations around the US. But buyers beware, it is not the actual album/DVD that will be sold at the coffee giant. Rather, it will be a "card", which will be redeemable on iTunes to download the music videos. Think of it as a gift-certificate, for the limited purpose of buying one item on-line.

This seems like very clever marketing, and OTCS approves. The cards will be "collectable" and feature various images of Lennon. And because it is being released during the holiday shopping bonanza, consumers are likely to grab these up along with all the other gift certificates they will already be buying (and not have to carry around all day!).

The real question is: does this create a conflict of interest with Starbucks' Hear Music record label? More poignent is the fact that Paul McCartney, Lennon's former band-mate in The Beatles, is the Hear Music label's signature artist. Notwithstanding any contract disputes with McCartney's former label (EMI), what benefit is there to joining Hear Music if your old label can sell compilations in the same limited venue, with nifty packaging that benefits both your old label, and your former opposition in a trademark dispute (Apple iTunes / Apple Records Ltd.)?